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The supporting cast includes such Waters favorites as Patty Hearst, Traci Lords, Mink Stole, and Susan Lowe Joan Rivers and Suzanne Somers appear as themselves, and all-female grunge-metal band L7 plays the all-female grunge-metal band Camel Toe.
#Serial mom 1994 film serial
Taking John Waters back to R-rated territory after the relatively sedate Hairspray and Cry Baby, Serial Mom captures a comfortable middle ground between Hollywood professionalism and Waters' subversive sense of humor, and Kathleen Turner has a field day as the sweet-on-the-outside, evil-on-the-inside Beverly. While she does a great job of hiding it, Beverly has a vicious and vengeful streak, and when she's not making obscene prank calls to the neighbors or bribing her garbagemen to save embarrassing items from her neighbors' trash, she's mowing down whoever would be so rude as to make her husband go into his office on a Saturday, break up with her daughter, or suggest that her son watches too many horror movies. Waters's tame approach, there are still some disgusting moments in 'Serial Mom,' including. Patty Hearst, Suzanne Somers, Joan Rivers, Traci Lords, and Brigid Berlin make cameo appearances in the film. There's just one problem with Beverly - if you do anything to make someone in her family feel bad, you're dead meat on a stick. The media frenzy about the latest mega-star killer is too close to reality to work as satire. Serial Mom is a 1994 American black comedy crime film written and directed by John Waters, starring Kathleen Turner as the title character, Sam Waterston as her husband, along with Ricki Lake and Matthew Lillard as her children. She likes to cook, her home is immaculately clean, she's always well-groomed and cheerful, and she loves her husband Eugene ( Sam Waterston) and her two children, Misty ( Ricki Lake) and Chip ( Matthew Lillard). Men will look upon her for a thousand years and say, "This was her weirdest hour.Beverly Sutphin ( Kathleen Turner) is the perfect suburban housewife and mother. Kathleen Turner is the devilish mother in question wholl do anything to protect her family. But in "Serial Mom" La Turner has found the part of a lifetime. A picture perfect middle class family is shocked when they find out that one of their neighbors is receiving obscene phone calls.
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After the police and her family leave, Beverly disguises her voice to make obscene phone calls to Dottie, because Dottie stole a parking space from Beverly. And of late she's always looked like she was capable of eating her colleagues in her huge, Tallulah-like way. She's the perfect all-American parent: a great cook and homemaker, a devoted recycler, and a woman who'll literally kill to keep her children happy. During breakfast, two police officers arrive to question the family about the vulgar harassment of their neighbor, Dottie Hinkle ( Mink Stole ). It's not that she got small, it's that the movies got smaller. Waters is just thinking wacky with a capital W: What's the least likely thing she'd do? Then he has her do it: The movie's like a master's thesis in non sequiturs.īest of all is Turner in a performance that may save a career. serial Mom is a 1994 American dark comedy film written and directed by John Waters, starring Kathleen Turner as the title character, Sam Waterston as her husband, and Ricki Lake and Matthew Lillard as her children. Anyway, the humor is sufficiently broad to keep most of the audience that hasn't yet left in stitches, particularly as witty Beverly comes up with a defense mode that might be called the old flying knees gambit. I liked it better when she killed people. Ultimately, of course, Beverly is caught, becomes Tabloidized - here the "satire" becomes a bit heavy-handed - is tried and serves as her own defense lawyer. Waters has his best fun with other icons of "taste" and loves adolescent gross-out humor: In one scene, a woman encourages her dog to lick her feet, then settles back to watch "Annie" on the VCR. John Waters couldn’t make Female Trouble or Pink Flamingos in 1994, and maybe that’s a good thing it gave him the opportunity to tackle a similar concept in two different ways, and although the size of an audience isn’t the sole factor in determining success, it can’t be said that Serial Mom didn’t reach a larger audience.